Artist

Michael Janis

After a 20-year career as an architect in the United States and Australia, Michael Janis returned to the US with a focus on working with glass. Awarded a Fulbright Scholarship in 2012, Janis went to England’s University of Sunderland and taught at the UK’s National Glass Centre where he became an Artist-in-Residence at the Institute .....

After a 20-year career as an architect in the United States and Australia, Michael Janis returned to the US with a focus on working with glass. Awarded a Fulbright Scholarship in 2012, Janis went to England’s University of Sunderland and taught at the UK’s National Glass Centre where he became an Artist-in-Residence at the Institute for International Research in Glass (IIRG).

Massachusetts’ Fuller Craft Museum mounted a solo show of Janis’ glass panels and sculpture in 2011, where they have recently acquired one of his works for its permanent collection. Janis’ artwork is also in the permanent collection of the Art Institute of Chicago, Florida’s Imagine Museum, as well the artwork collection at the US Bucharest Embassy. The DC Commission on the Arts & Humanities awarded him the 31st Annual Mayor’s Arts Award for “Excellence in the Arts”.

I manipulate finely ground glass on sheets of flat glass (in my signature sgraffito technique) to create imagery, fusing the powder into the glass in kilns. By layering and overlapping the elements, melting the panels together creates a narrative commentary. The composition of imagery and color at the service of narrative within these panels is intuitive. I find the time-consuming process of artwork helps me to focus and experiment with the ways and means to depict the poetry, symbolism and magic of the everyday.

At the core of my artwork is pure portraiture, but great focus on the disharmony of the self and perception. Pressures from society and the toll it takes on one’s emotional state are featured and the familiar is fractured and distorted by outside influence. Subtle shifts, repetition and replacement, or blocking the facial features are attempts to create a feeling of the internal conflict of the subject. My works is meant to explore raw emotions and the fragility of the soul – where one may present a calm face to the world while distracted by inconsistent thoughts, beliefs, or attitudes.

The recent works explores the subject being lost in thought –I use the frit powder imagery as means of immersion into an emotional tenor.

Thank you for joining us!

Thank you for celebrating the first annual

Glass Art Fair!

We are honored to that you have taken the time to join us in a celebration of art.
The artists in this exhibition are sharing their work from around the world.
Grand Opening: November 1st | Exhibition continues to November 30th of 2020